Beauty in nature
Beauty in people
Beauty in prose
Beauty in everything

10th March 2012

Photo reblogged from this is interlude ✞ with 12,804 notes

Source: k-ong

20th February 2012

Photo reblogged from AnnAnnA with 1,393 notes

Source: gypsiesandhippies

12th February 2012

Photo with 5 notes

11th February 2012

Photo reblogged from life's just one epic holiday with 52 notes

Tagged: 240sxdrift

Source: sjmichaud

11th February 2012

Photo reblogged from No, really. with 531 notes

Source: dirtylittlestylewhoree

21st January 2012

Photo with 1 note

Math is beautiful =]

Math is beautiful =]

21st January 2012

Photo

You won’t find the answers at the bottom of a wine glass

You won’t find the answers at the bottom of a wine glass

18th January 2012

Photo reblogged from Define Inspiration with 292 notes

define-inspiration:

Red Star Belgrade

define-inspiration:

Red Star Belgrade

Source: define-inspiration

18th January 2012

Photo reblogged from pancake pancake pancake with 16,180 notes

Source: natazilla

5th January 2012

Photoset reblogged from boys and their six-inch rockets with 3,294 notes

nefertiti:

Ivanovo detstvo/Ivan’s Childhood (1962, Andrei Tarkovsky)

The complexly choreographed sequence involving Masha’s encounter with Kholin in the birch forest is one of the most iconic shots in cinema, symbolizing the need for help in hard times, a moment of connection above the void, a desperate act of human contact. The camera tracks their movements at a distance before joining them, finally, in a strange, low-angle embrace over a small trench. The shot begins from a low point of view, and then, when Masha tries to jump over the ditch and is intercepted by Kholin, who holds her in the air and kisses her, the camera goes down below ground level and records the scene from within the ditch, to soon thereafter rise sharply up and continue rolling at eye level with the characters.  (1, 2)

Source: nefertiti